XLVII Ina Bierstedt
01.10.04 16.10.04
inbetween
To open one's eyes, to shut one's eyes, to drink a glass
of water. Then the lights turn red: Look to the left,
walk to the right, sleep.
It has to be said that there are no eyes nor traffic
lights or glasses in Ina Bierstedt's paintings. But
there seem to be certain speeds of looking/seeing/vision
developing behind the view as such. Her painted spaces
can function as side paths with sightseeing platforms
along the way moving from thinking to the body and back.
Through layers of paint with various densities, inbetween
architectural and more organic textures, solitary figurative
elements appear, too. Yet they do not work as depictions,
they are rather effective as quotes. The landscapes
in Ina Bierstedt's paintings seem to shift, to hesitate
on a point that might be located either closely in front
or behind an imaginary space. So, we'll wait a little
and then see what happens?
(BC)
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